TRAPPEDwaswrittenanddirectedbyTimothyR Lahr.Iprovidedmusicfrom1minuteintothefilm, beingasentimentalthemeofascenewithtwo sisters,thenasad,mourningtheme,plussome intenseominousmusic(theopeningsoundfxand closing music were from another sources).ThemournfulthemewaslaterreleasedasShe ShouldBeHere(titletakenfromthefilmnarrative) andbecameoneofmymostpopularpieces.Ithas specialmeaningtomeasitwaslaterusedinmy Mum’sfuneral.Thesistersthemewasreleasedas RememberingAsterion.Thesepiecescanbe streamed or downloaded on my CosmoMoose page.
I’malwayshappytodiscuss musicalideasthatwillenhance your creative media project. m: +44 (0)7984 174673e: chrismedway@outlook.com
I’mpassionateaboutcreatingdistinctivemusicforfilm/mediaprojects,andmyspecialityiscomposingstrongandmemorablethemesforscenesor characters. I’d like to build lasting relationships with creative directors of film, theatre etc. who appreciate the vital role music has in their project. ThewayIworkisthat,afterdiscussingmusicalthemeswiththedirector/projectowner,Ijustletthemusicautomaticallycometome,asitsooften doeswhenIseevisuals,readbooks,orwanttoexpressanemotion.Ifyouwouldliketoaskaquestion,hiremetocomposemusicforyourproject, discuss ideas or for anything else, then I would be glad to hear from you. You can also connect with me on Facebook or Twitter.
DEAD EXIT - Audio Movie Americannovel-writer/producerDougShilohaskedmeto composeasoundtrackforhisAudioMovieDeadExit. Firstup, Dougwantedaboldthemetuneandthenalovethemeforwhich he provided the title “Love is Eternal”.“I’mhappyCosmoMoosejoinedtheteam,”ProducerDoug Shilohsaid.“He’sreallycomeupwithsongsthatfitthebillfor thislayeredstory.He’sanamazinglyquickcomposer.Igavehim ideasofwhattheyshouldhave,asfaraselements–andoffhe goes. He’s really brought in some interesting musical layers.”I hope to share more news (and themes I’ve started) soon.
Promotional Film for a Tudor House
Iwasaskedtocomposetwospecificthemesfora promotionalfilmforStNicholasPrioryinExeter, Devon:1.AshortTudorthemetobeplayedthroughoutthe film and on the end credits2.Ahauntingthemewithatimetravelfeelfora scenewherethecamerapansacrosstheoutside walls of the old priory AnexcerptofmyTudorThemeisatthebeginning withthefullversionontheendcredits,andthe Haunting Theme is 45 seconds in.
Original Score for STAR WARS fan film
IwasaskedbydirectorandactorKieferJenkinsto provideasoundtrackforhisshortStarWarsfanfilm ShadowoftheMandalorian.Kiefer,whoplayedthe Mandalorianinthefilm,specifiedthatthescore shouldnotonlyresemblethemusicinthemainStar Warsfilms(scoredbyJohnWilliams)butalsoinclude electronicelementsduetothefilm'smysterioussub-tone. Icomposedthemusictocarrythestory,includinga recurringmotifformaincharacterandathemefor fast-flyingspaceship(knownasInterplanetary Theme),andanupliftingfinale(Mandalorian Redemption).TheOriginalScorecanbestreamedordownloaded on my CosmoMoose page.TheInterplanetaryThemewasalsousedforthe shorter fan film The Five Jedi.
Original Score for short dramatic thriller film
Radio Show Theme Song
KryptonRadio(nowcalledSci-FiRadio,whooftenplaymyCosmoMoosemusic)askedthatIcreateasongfortheirradio showaboutgeekculturecalledDockingBay94(thisisaStarWarsreference).ThesongpreviouslyusedwasELO'sMr Blue Sky so I wanted to do something in the same upbeat style. Iwrotelyricswithmanysci-fi,geekandStarWarsreferencesandparticularlylikethebridgelyrics"Shesaidasweentered TheFalcon'Getthiswalkingrugoutofmyway".Anyonewho'swatchedStarWarswillknowwhatthismeansandmayfindit amusing!The Radio Show hosts were elated with the song and frequently thanked me for it. (Hit the logo to play the song)
Thisshortthemewaswrittenforastageplayandtakesyoubackto a Victorian ghostly Christmas.
Score for 1919 Silent Film SOUTH
In 1914, Sir Ernest Shackleton went on the Trans-Antarctic Expedition, aiming to make the first ever land crossing via the South Pole. FrankHurleytookfilmfootageoftheexpedition,whichwaslaterreleasedasasilentfilm,SOUTH,documentingthevoyage,thelossoftheship ‘Endurance’ and the escape and rescue of the men, without a single loss of life. InMarch2019,AXXENTOPAQUE(the3-piecesynthbandwasin)performedanewsynth/electronicscoretothefilmbeforealiveaudience,in Birmingham,UK.Toscorethefilmwedivideditupatsuitablepointsintosectionsofmusic,andthenallocatedmostofthesesectionstooneofusto provide a basic idea framework, which the rest of us could then expand upon, add to and embellish, as follows:
(1) ‘OPENING’ (existing music from the Phonic FM Set Two)(2) ‘HEADING SOUTH’ (taken from the Phonic FM Set Two)(3) ‘ICEBREAKER’ (Re-worked from the Phonic FM Set One)(4) ‘CASTLE BERG’ [Allocated to Chris](5) ‘CHARGING THE ICE’ [Allocated to Colin](6) ‘FROZEN IN’ [Allocated to Chris](7) ‘FETCHING WATER’ [Allocated to Chris](8) ‘PUPS’ [Allocated to Chris](9) ‘SEAL MEAT’ [Allocated to Chris](10) ‘PENGUINS’ [Allocated to Chris](11) ‘DOG RACING’ [Allocated to Colin](12) ‘DARK SHIP’ [Allocated to Colin](13) ‘OUTSIDE ACTIVITY’ [Allocated to Gary](14) ‘UNDER ATTACK’ [Allocated to Gary](15) ‘”DUMP CAMP”’ [Allocated to Chris](16) ‘END OF THE ENDURANCE’ [Allocated to Gary & Colin](17) ‘MAROONED’ [Allocated to Chris](18) ‘ESCAPE / THE RESCUE’ [Allocated to Gary](19) ‘ALL SAVED! – ALL WELL!’ [Allocated to Chris]
Thepromovideoaboveshowsthefilmfootageinterspersedwithourconcertperformance.ThefullscorecanbeheardontheAxxentOpaquepage where the CD/DVD can be bought, containing the film with the full score.
Musical Theatre
IhavewrittenastagemusicalabouttheBiblicalcharacterof Daniel.ThemusicalhasyettobeperformedinitsentiretybutI haverecordedathesedemosongswhichraisedmanyeyebrows andcausedalotofinterestduetowittylyricsandintricate instrumentation.Somecrazyandbeautifuldemosongsfrom the musical can be found on this player, being the first 10 songs. It's a roar!Intro to DANIEL MUSICAL- Come on DownDanielandhisfriendsgotosleep,notknowingthatit'llbetheir lastnightinZion.Danieldream'sofasheepbutthenthedream darkens, AND THEN....(ooh, I shouldn't spoil it)…GOD IS OUR REFUGEInZion,Danielencourageshisfriendsbysingingthissongbased on Psalm 46 - but the Babylonians are just around the corner...BY THE WATERS...Thefirstmournfulsectiontothisbeautifulsongistobesungby Daniel'sfriends:MischaelandHananiahwho,intheshow,areto befemalesingers.Danielthensingsthefinalupliftingsection with choir to the final prayer of hope.HE'S IN LOVE WITH HIMSELF Alionleansagainstapianoplayedbyanotherlionandsings. Theyarejoinedbythekingandotherlionsallsingingintophat and tails. Just another night in a musical really.WATCH OUT!BOO!HISS!Inthemusical,thisisDaniel’sfirstencounterwith thebaddieswhowouldlaterplottothrowhimintothelions' den.Whenthesongfadesoutattheend,putyourheadcloseto the speakers and listen carefully (tee hee hee).COME ON DOWNTHISISIT!ThepartwhereDanielgoestotheLions'den.The lionsaretreatingitassomekindofgameshowwheretheprize isamealwiththem'pussy-cats'.Thekingisreluctant,thelions are impatient and sing many funnies whilst waiting.
Daniel Musical
SUPERIORITY COMPLEXInthemusical,thelionsintroducetheaudiencetoKingNebuchadnezzar whohastroublegettinghisheadthroughdoors.Asthelionssay:letthe verbal diarrhea flow...Dance 'til you Drop ContestInthemusicalDanielandhisfriendsrefusetoeatmeatservedto Babylonianidols.MonsieurAshpenazwasworriedthattheymightlook unfit.Toprovetheirfitnesstheyhadthiscontest.Theannouncerisalion (of course).BELSHAZZAR (THE GREAT?)AlthoughBelshazzaristhemostwretchedcharacterinthemusical 'DANIEL-WATCHOUT!',thissongisoneofmyfavouritesduetothe dementedvocalsandevenmoredementedguitar,particularlythesoloin the middle.CUNNING PLANBOOHISSagain.Thebaddiesareplotttingto'bookaonewayticketinto theLion'sden'forDaniel.Howevertheycan'tframehimwithacrime becauseDanielis'squeakyclean'-buthedoeshaveabadhabitof praying!...
Art of Persecution Exhibition
City of the Jihad
ThisdarkimpressionisticpiecewasusedbyOpenDoorscharityfor their ‘Art of Persecution’ exhibition
Iwasaskedbygamedesigner,GlenChudley,tocomposeasoundtracktoacom-putergamebasedonafantasyadventurebookSlavesoftheAbyss.Thisisoneof thosebookswhereyouaretheheroofthestoryandyoudecidewhattodonexton yourquest.Itwasreleasedon2CDsasAbyssium.Thetrackswerecomposed basedonGlen'sspecificdirectionsonwhatmusichewantedineachsceneinthe 'quotes' below: KALLAMEHR–'Shouldcreatetheimpressionofaprosperouscity.Arabianinflu-ence' ITERFORTISSIMUM(LatinforJourneyofCourage)–'Shouldevokethesenseoftrav-elling on a long journey of which the destination is not known' TEMPLEOFFOURGA–'Shouldsoundstereotypicallyholy,butinapretentiousway. Fourga is the god of pride' ABANDONEDVILLAGE–'Amixofsadness,mysteryanddanger'[Iwantedanopera singer to vocalise that sadness in the second part] PATHOFRIDDLES–'Incongruous,completelyjuxtaposedtothemoodoftherestof thegame–perhapsevenabitcarnival/funfairlike?'[Iwantedtomakeitfunbut slow paced as riddles aren’t solved quickly!] MYSTERIOUSFOREST–'Asthenamesuggests,mysterious,thoughinamoreposit-iveandplayfulwaythanistypicaloftherestofthegame'[Glenthengavedirections that there was a second forest scene which should be sadder] GURUREUNION[thisscenewasalateadditiontothegamewhereGlenwanted something peaceful but oriental] BESIEGED!–'LikeKallemehr,butslightlysubdued.Shouldalsohintinsomewayof animpendingthreat'[althoughthistrackstartedofflikeKallamehrittookonalife of its own with more than a hint of threat!] OPENTHEABYSS–somethingabitsurreal[Thisistheopeningtitlethemetothe gameeventhoughit'sattheendofthealbum.Ithoughtittoostrangetoopenthe album and a nice way to close Chapter 1]. CALLTOBATTLE–‘Abasicmilitarydrumbeat,overlaidwithotherinstrumentsto give the impression of a final showdown (actually turns out not to be, but oh well)’ ITERPERICULOSUM(LatinforJourneyofPeril)–‘shouldbelike[ITERFORTISSIMUM] (on Chapter I) but sounding more ominous” UNDERGROUNDPASSAGES[GlenwantedsomethingbasedontheKallamehr themefromChapterIbuttheactionishappeninginthesewersratherthaninthe City] HIDDENTUNNEL–‘Mysterious,inaslightlysurrealway.Itisthefirsttimethe player enters the Abyss’ LOSTINTHEABYSS–‘Surrealandshouldgivetheimpressionofanendlessbarren expanse’ ORGANPHANTASYNO.1(CASTLEOFDOOM)–'Churchorganmusic.Shouldsug-gestthemassivesizeofthecastle.(TheCastleisbasicallydesignedforuseby someone 50 feet tall)’ I plan this piece to be the first ORGAN PHANTASY in a series. SOUL CHAMBER – [Glen wanted something dark, surreal and disturbing] ESCAPEFROMTHEABYSS[ThisistheEndtheme]–Somethingepic,suggesting exploring infinite new possibilities I added two more tracks to the project…..RECOLLECTIONisacompositioninspiredbythegamerecallingmanyoftheexisting themes SONGOFTHESAVEDistheonlysongwithlyrics,sungfromthepointofviewof thosebeingsaved.ItisalsodeliberatelyanallegorytohowJesusgaveHisalltosave us all. This song and all my music is made for God’s glory. At the time of writing, the computer game has not been finished.
“He’s an amazingly quick composer.” “He’s really come up with songs that fit the bill”“He’s really brought in some interesting musical layers.”“Great development and Arrangement…have the best textures”
TRAPPEDwaswrittenanddirectedbyTimothyRLahr.Iprovidedmusic from1minuteintothefilm,beingasentimentalthemeofascenewithtwo sisters,thenasad,mourningtheme,plussomeintenseominousmusic(the opening sound fx and closing music were from another sources).ThemournfulthemewaslaterreleasedasSheShouldBeHere(titletaken fromthefilmnarrative)andbecameoneofmymostpopularpieces.Ithas specialmeaningtomeasitwaslaterusedinmyMum’sfuneral.Thesisters themewasreleasedasRememberingAsterion.Thesepiecescanbe streamed or downloaded on my CosmoMoose page.
More project examples to be added soon…
Current Project
Media Composer
I’mpassionateaboutcreatingdistinctivemusicforfilm/mediaprojects, andmyspecialityiscomposingstrongandmemorablethemesforscenes orcharacters.I’dliketobuildlastingrelationshipswithcreativedirectors of film, theatre etc. who appreciate the vital role music has in their project. ThewayIworkisthat,afterdiscussingmusicalthemeswiththe director/projectowner,Ijustletthemusicautomaticallycometome,asit sooftendoeswhenIseevisuals,readbooks,orwanttoexpressan emotion.Ifyouwouldliketoaskaquestion,hiremetocomposemusicfor yourproject,discussideasorforanythingelse,thenIwouldbegladto hear from you. You can also connect with me on Facebook or Twitter.
DEAD EXIT - Audio Movie Americannovel-writer/producerDougShiloh askedmetocomposeasoundtrackforhis AudioMovieDeadExit. Firstup,Dougwanteda boldthemetuneandthenalovethemefor which he provided the title “Love is Eternal”.“I’mhappyCosmoMoosejoinedtheteam,” ProducerDougShilohsaid.“He’sreallycomeup withsongsthatfitthebill forthislayeredstory.He’s anamazinglyquick composer.Igavehimideas ofwhattheyshouldhave,as faraselements–andoffhe goes.He’sreallybroughtin someinterestingmusical layers.”Ihopetosharemorenews (andthemesI’vestarted) soon.
Promotional Film for a Tudor House
IwasaskedtocomposetwospecificthemesforapromotionalfilmforSt Nicholas Priory in Exeter, Devon:1.AshortTudorthemetobeplayedthroughoutthefilmandontheend credits2.Ahauntingthemewithatimetravelfeelforascenewherethecamera pans across the outside walls of the old priory AnexcerptofmyTudorThemeisatthebeginningwiththefullversionon the end credits, and the Haunting Theme is 45 seconds in.
KryptonRadio(nowcalledSci-FiRadio,whooftenplaymyCosmoMoose music)askedthatIcreateasongfortheirradioshowaboutgeekculture calledDockingBay94(thisisaStarWarsreference). ThesongpreviouslyusedwasELO'sMrBlueSkysoI wanted to do something in the same upbeat style. Iwrotelyricswithmanysci-fi,geekandStarWars referencesandparticularlylikethebridgelyrics"She saidasweenteredTheFalcon'Getthiswalkingrugoutof myway".Anyonewho'swatchedStarWarswillknowwhat this means and may find it amusing!TheRadioShowhostswereelatedwiththesongandfrequentlythanked me for it. (Hit the logo to play the song)
In1914,SirErnestShackletonwentontheTrans-AntarcticExpedition, aiming to make the first ever land crossing via the South Pole. FrankHurleytookfilmfootageoftheexpedition,whichwaslaterreleased asasilentfilm,SOUTH,documentingthevoyage,thelossoftheship ‘Endurance’andtheescapeandrescueofthemen,withoutasinglelossof life. InMarch2019,AXXENTOPAQUE(the3-piecesynthbandwasin) performedanewsynth/electronicscoretothefilmbeforealiveaudience, inBirmingham,UK.Toscorethefilmwedivideditupatsuitablepoints intosectionsofmusic,andthenallocatedmostofthesesectionstooneof ustoprovideabasicideaframework,whichtherestofuscouldthen expand upon, add to and embellish, as follows:
(1) ‘OPENING’ (existing music from the Phonic FM Set Two)(2) ‘HEADING SOUTH’ (taken from the Phonic FM Set Two)(3) ‘ICEBREAKER’ (Re-worked from the Phonic FM Set One)(4) ‘CASTLE BERG’ [Allocated to Chris](5) ‘CHARGING THE ICE’ [Allocated to Colin](6) ‘FROZEN IN’ [Allocated to Chris](7) ‘FETCHING WATER’ [Allocated to Chris](8) ‘PUPS’ [Allocated to Chris](9) ‘SEAL MEAT’ [Allocated to Chris](10) ‘PENGUINS’ [Allocated to Chris](11) ‘DOG RACING’ [Allocated to Colin](12) ‘DARK SHIP’ [Allocated to Colin](13) ‘OUTSIDE ACTIVITY’ [Allocated to Gary](14) ‘UNDER ATTACK’ [Allocated to Gary](15) ‘”DUMP CAMP”’ [Allocated to Chris](16) ‘END OF THE ENDURANCE’ [Allocated to Gary & Colin](17) ‘MAROONED’ [Allocated to Chris](18) ‘ESCAPE / THE RESCUE’ [Allocated to Gary](19) ‘ALL SAVED! – ALL WELL!’ [Allocated to Chris]
IhavewrittenastagemusicalabouttheBiblicalcharacterofDaniel. ThemusicalhasyettobeperformedinitsentiretybutIhaverecordeda thesedemosongswhichraisedmanyeyebrowsandcausedalotof interestduetowittylyricsandintricateinstrumentation.Somecrazy andbeautifuldemosongsfromthemusicalcanbefoundonthisplayer, being the first 10 songs. It's a roar!Intro to DANIEL MUSICAL- Come on DownDanielandhisfriendsgotosleep,notknowingthatit'llbetheirlast nightinZion.Danieldream'sofasheepbutthenthedreamdarkens, AND THEN....(ooh, I shouldn't spoil it)…GOD IS OUR REFUGEInZion,Danielencourageshisfriendsbysingingthissongbasedon Psalm 46 - but the Babylonians are just around the corner...BY THE WATERS...ThefirstmournfulsectiontothisbeautifulsongistobesungbyDaniel's friends:MischaelandHananiahwho,intheshow,aretobefemale singers.Danielthensingsthefinalupliftingsectionwithchoirtothe final prayer of hope.HE'S IN LOVE WITH HIMSELF Alionleansagainstapianoplayedbyanotherlionandsings.Theyare joinedbythekingandotherlionsallsingingintophatandtails.Just another night in a musical really.WATCH OUT!BOO!HISS!Inthemusical,thisisDaniel’sfirstencounterwiththe baddieswhowouldlaterplottothrowhimintothelions'den.Whenthe songfadesoutattheend,putyourheadclosetothespeakersand listen carefully (tee hee hee).COME ON DOWNTHISISIT!ThepartwhereDanielgoestotheLions'den.Thelionsare treatingitassomekindofgameshowwheretheprizeisamealwith them'pussy-cats'.Thekingisreluctant,thelionsareimpatientandsing many funnies whilst waiting.
Daniel Musical
SUPERIORITY COMPLEXInthemusical,thelionsintroducetheaudiencetoKing Nebuchadnezzarwhohastroublegettinghisheadthroughdoors.As the lions say: let the verbal diarrhea flow...Dance 'til you Drop ContestInthemusicalDanielandhisfriendsrefusetoeatmeatservedto Babylonianidols.MonsieurAshpenazwasworriedthattheymightlook unfit.Toprovetheirfitnesstheyhadthiscontest.Theannouncerisa lion (of course).BELSHAZZAR (THE GREAT?)AlthoughBelshazzaristhemostwretchedcharacterinthemusical 'DANIEL-WATCHOUT!',thissongisoneofmyfavouritesduetothe dementedvocalsandevenmoredementedguitar,particularlythesolo in the middle.CUNNING PLANBOOHISSagain.Thebaddiesareplotttingto'bookaonewayticketinto theLion'sden'forDaniel.Howevertheycan'tframehimwithacrime becauseDanielis'squeakyclean'-buthedoeshaveabadhabitof praying!...
City of the Jihad
ThisdarkimpressionisticpiecewasusedbyOpenDoorscharityfor their ‘Art of Persecution’ exhibition
Iwasaskedbygamedesigner,GlenChudley,tocomposeasoundtracktoa computergamebasedonafantasyadventurebookSlavesoftheAbyss.Thisisoneofthosebookswhereyouaretheheroofthestoryandyou decidewhattodonextonyourquest.Itwasreleasedon2CDsas Abyssium.ThetrackswerecomposedbasedonGlen'sspecificdirections on what music he wanted in each scene in the 'quotes' below: KALLAMEHR–'Shouldcreatetheimpressionofaprosperouscity.Arabian influence' ITERFORTISSIMUM(LatinforJourneyofCourage)–'Shouldevokethe sense of travelling on a long journey of which the destination is not known' TEMPLEOFFOURGA–'Shouldsoundstereotypicallyholy,butinapreten-tious way. Fourga is the god of pride' ABANDONEDVILLAGE–'Amixofsadness,mysteryanddanger'[Iwanted an opera singer to vocalise that sadness in the second part] PATHOFRIDDLES–'Incongruous,completelyjuxtaposedtothemoodof therestofthegame–perhapsevenabitcarnival/funfairlike?'[Iwantedto make it fun but slow paced as riddles aren’t solved quickly!] MYSTERIOUSFOREST–'Asthenamesuggests,mysterious,thoughina morepositiveandplayfulwaythanistypicaloftherestofthegame'[Glen thengavedirectionsthattherewasasecondforestscenewhichshouldbe sadder] GURUREUNION[thisscenewasalateadditiontothegamewhereGlen wanted something peaceful but oriental] BESIEGED!–'LikeKallemehr,butslightlysubdued.Shouldalsohintin somewayofanimpendingthreat'[althoughthistrackstartedofflike Kallamehr it took on a life of its own with more than a hint of threat!] OPENTHEABYSS–somethingabitsurreal[Thisistheopeningtitletheme tothegameeventhoughit'sattheendofthealbum.Ithoughtittoo strange to open the album and a nice way to close Chapter 1]. CALLTOBATTLE–‘Abasicmilitarydrumbeat,overlaidwithotherinstru-mentstogivetheimpressionofafinalshowdown(actuallyturnsoutnotto be, but oh well)’ ITERPERICULOSUM(LatinforJourneyofPeril)–‘shouldbelike[ITER FORTISSIMUM] (on Chapter I) but sounding more ominous” UNDERGROUNDPASSAGES[Glenwantedsomethingbasedonthe KallamehrthemefromChapterIbuttheactionishappeninginthesew-ers rather than in the City] HIDDENTUNNEL–‘Mysterious,inaslightlysurrealway.Itisthefirsttime the player enters the Abyss’ LOSTINTHEABYSS–‘Surrealandshouldgivetheimpressionofanendless barren expanse’ ORGANPHANTASYNO.1(CASTLEOFDOOM)–'Churchorganmusic. Shouldsuggestthemassivesizeofthecastle.(TheCastleisbasically designedforusebysomeone50feettall)’Iplanthispiecetobethefirst ORGAN PHANTASY in a series. SOUL CHAMBER – [Glen wanted something dark, surreal and disturbing] ESCAPEFROMTHEABYSS[ThisistheEndtheme]–Somethingepic,sug-gesting exploring infinite new possibilities I added two more tracks to the project…..RECOLLECTIONisacompositioninspiredbythegamerecallingmanyof the existing themes SONGOFTHESAVEDistheonlysongwithlyrics,sungfromthepointof viewofthosebeingsaved.ItisalsodeliberatelyanallegorytohowJesus gaveHisalltosaveusall.ThissongandallmymusicismadeforGod’s glory. At the time of writing, the computer game has not been finished.
Aswellasmusic,Ihavealsocreatedsoundeffects.Thisloopablepiece SwampandThunderwastakenfromBambooForest(fromtheMemor-iesofMoosetopiaalbum)andre-arranged.Itisavailable,andhasbeen used, for YouTube videos etc.
I’m always happy to discuss musical ideas that will enhance your creative media project.e: chrismedway@outlook.comm: +44 (0)7984 174673
Below are examples of various commissions and other media projects